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Traceries of the central window on the north side glazed by the royal glazier John Prudde in 1447 with some of the most luxuriant stained glass available at the time. The angels hold pieces of medieval music manuscript (a design also used in the east window and that most likely also continued into the two westernmost windows of the chapel where sadly only fragments remain today)
The bulk of this glass was tragically lost when the chapel was attacked by Cromwellian troops in 1643 (it is possible the chapel was locked and all this was done from outside as the tombs and statuary survived undamaged). The six side windows were a complete loss below the traceries and have remained plain-glazed ever since, but the surviving figures were used to fill the large gaps left in the east window to give the patchwork display we see today.
The gorgeous Beauchamp Chapel at St Mary's, Warwick is perhaps the best preserved example of a medieval church interior in England. I have been in love with it ever since my first childhood visit, and it remains my favourite room in all England.
The chapel is rich in excellent monuments, of which the tomb of Richard Beauchamp, the chapel's founder, is the most impressive with magnificent gilt bronze sculptures, an extremely rare survival.
Equally spectacular is the delightful east window, which is filled with superb 15th century glass by John Prudde, the King's glazier. Much if it is not in situ, since Cromwell's troops wrought havoc with the glass here and the surviving figures were assembled in this window (only the outer pairs of figures in the upper row are in their original positions). The north and south windows retain original glass only in their traceries and the cusped heads of the main lights, and knowing the quality of the surviving elements makes this loss all the more grievous.
A further treasure of this chapel and a miraculous survivor of Cromwells fanatics is the statuary surrounding the east window. This unique display of almost perfectly preserved figure sculpture from the early 15th century is exquisite, and gives an answer to all those empty niches we see in so many medieval churches elsewhere in England. The medieval splendour is further echoed by the use of colour on the sculptures and vaulted ceiling, all redone in the mid 20th century but based on medieval precedents.
"Angel Mirror" was a custom order - Angel was a design by Bruce Worthington, that I incorporated into this unique ooak walnut framed mirror.
It's an Intarsia-style piece that consists of Black Walnut, Aspen, Curly Maple, Yellowheart, and Ebony and is all natural - no stains or dyes are used on my Intarsia pieces!
It measures 28" tall and includes a precisely cut acrylic mirror.
Great for the hallway, bedroom, bathroom, or even a well-appointed guest room...
This was given as a Christmas present to my client's mother.
Her 'feedback' -
"This angel mirror is gorgeous. Workmanship is incredible!! My Mom loves the mirror, it made the perfect gift. Seller is wonderful to work with and I will be back to shop at her store!"
angels and activists in zürich asked shoppers "how much blood is on your cosmetics?" to mark the launch of the new www.kosmetik-ohne-tierversuche.ch service. the site provides information on which cosmetic products sold in switzerland are really cruelty-free.
If someone drove by and saw me on my back doing an abdominal curl getting this angel looking down it would have probably been a strange sight indeed!
“For the Angel of Death spread her wings on the blast,
And breathed in the face of the foe as she passed;
And the eyes of the sleepers waxed deadly and chill,
And their hearts but once heaved, and for ever grew still!”
― George Gordon Byron
This angel is actually a wedding gift from a friend. My friends hoped we would start a tradition by having this on the top of our tree. We were married in 1987.
created using www.picnik.com/
Little Big Show #17 @ Neptune 2/18/2017.
Featuring Angel Olsen with special guests Chris Cohen and Sloucher.
Presented by KEXP, Starbucks and STG Presents, and benefitting NFFTY.
Photo by Jim Bennett
photobakery@gmail.com
Angel of Mercy statue, Samford University, Birmingham AL.
Statue by Birmingham artist/sculptor Constantine Breton, who designed the work, and Italian sculptor Urbano Buratti, who cast the statue in Florence, Italy.
Bologna, 02/09/2012 angels airwaves arena parco nord
nella foto angels airwaves
foto:Prandoni francesco
Detail of a tracery light of the easternmost window on the south side glazed by the royal glazier John Prudde in 1447 with some of the most luxuriant stained glass available at the time (photo taken from scaffolding in 2015 during restoration work on the south side of the chapel). The angels play various medieval musical instruments, a heavenly orchestra to complement the angels singing and holding sheet music in the adjoining windows.
The bulk of this glass was tragically lost when the chapel was attacked by Cromwellian troops in 1643 (it is possible the chapel was locked and all this was done from outside as the tombs and statuary survived undamaged). The six side windows were a complete loss below the traceries and have remained plain-glazed ever since, but the surviving figures were used to fill the large gaps left in the east window to give the patchwork display we see today.
The gorgeous Beauchamp Chapel at St Mary's, Warwick is perhaps the best preserved example of a medieval church interior in England. I have been in love with it ever since my first childhood visit, and it remains my favourite room in all England.
The chapel is rich in excellent monuments, of which the tomb of Richard Beauchamp, the chapel's founder, is the most impressive with magnificent gilt bronze sculptures, an extremely rare survival.
Equally spectacular is the delightful east window, which is filled with superb 15th century glass by John Prudde, the King's glazier. Much if it is not in situ, since Cromwell's troops wrought havoc with the glass here and the surviving figures were assembled in this window (only the outer pairs of figures in the upper row are in their original positions). The north and south windows retain original glass only in their traceries and the cusped heads of the main lights, and knowing the quality of the surviving elements makes this loss all the more grievous.
A further treasure of this chapel and a miraculous survivor of Cromwells fanatics is the statuary surrounding the east window. This unique display of almost perfectly preserved figure sculpture from the early 15th century is exquisite, and gives an answer to all those empty niches we see in so many medieval churches elsewhere in England. The medieval splendour is further echoed by the use of colour on the sculptures and vaulted ceiling, all redone in the mid 20th century but based on medieval precedents.
I was playing with my daughter when i realized the frame and luckily she didn't move while i was reaching for my camera...