View allAll Photos Tagged Abstracted
One of a photo collection taken at the Pima Air & Space Museum in Tucson, Ariznoa. They have an amazing collection, and a friendly and knowledgeable staff. We had a great day there with the whole family. The kids love it… and so do the grown-ups. I had not been since I was a child… anyway. I hope you enjoy the image.
One of a photo collection taken at the Pima Air & Space Museum in Tucson, Ariznoa. They have an amazing collection, and a friendly and knowledgeable staff. We had a great day there with the whole family. The kids love it… and so do the grown-ups. I had not been since I was a child… anyway. I hope you enjoy the image.
One of a photo collection taken at the Pima Air & Space Museum in Tucson, Ariznoa. They have an amazing collection, and a friendly and knowledgeable staff. We had a great day there with the whole family. The kids love it… and so do the grown-ups. I had not been since I was a child… anyway. I hope you enjoy the image.
something a bit different...expressing a moment of time through an abstract picture....thanks for looking......best bigger......hope you have a great day
One of a photo collection taken at the Pima Air & Space Museum in Tucson, Ariznoa. They have an amazing collection, and a friendly and knowledgeable staff. We had a great day there with the whole family. The kids love it… and so do the grown-ups. I had not been since I was a child… anyway. I hope you enjoy the image.
abstracted tulips digitally manipulated....thanks for looking....best bigger....hope you have a great weekend
A gorgeous patch of ice with a multitude of incredible patterns, shapes, and formations, all courtesy of Mother Nature, and illuminated by the dusk sunlight.
I love how the light appears to be trapped inside the ice, waiting to be released!
It's 10 years now since the demolition of the Heygate Estate, so I thought I would share some of my images from the series I shot there back in 2008/9.
These images were exhibited @bartlettarchucl in 2010.
I made this series and exhibited them to launch my career as a photographer, and while my style has moved on, I am still very happy with these as a set of images. 4x5 film always has a special look to it, although I am now using digital medium format which I am very happy with
For those interested in more architectural photography, especially with a focus on London’s ever-changing cityscape, visit my website at www.simonkennedy.net to explore more of my work.
Architectural Photography by Simon Kennedy
Nico - Year of the Dog
Chinese New Year - Year of the Dog
Coincidentally happened to make a dog sketch today
Ink
Paper
15 x 21 cm
Stacked #wood #pallets #stacked #monochrome #black #white #uk #storage #light #Worcester #like #follow #photo #photography #photograph #abstracted #art
I took the occasion of a spell of spring snows to stay indoors and try the technique of photographing paint dripped/poured into a container of water. I had fun experimenting with different densities of paint and dimensions of the container of water.
Cover and Chapter pages Art Direction & Design. Consulting: Fernando Prats for Estudi Prats
"Abstracted Architecture" is Brancolina's first book and "a collection of geometric photo-stories, contemporary architecture portrayed from a different point of view with accent on linear compositions".
I've been thinking about doing abstracted portraits as part of the 365 project for a while, this is my first attempt. I was going to do it all in code but ended up just using Adobe Fireworks (which is a bit like a baby Photoshop, but with some good vector & web tools). For the pool police (me included!) or other interested folk here’s the process:
1) Take a close-up self portrait: http://www.flickr.com/photos/dumbledad/3113141344/
2) Crop to just the face with no background
3) Resize the image to 5 x 7 pixels choosing "nearest neighbour" as interpolation algorithm
4) Move, pixel by pixel, the image to the new setting.
5) Resize back up to the original size (or there abouts) again using "nearest neighbour" as interpolation algorithm. (NB I had to reselect and remove the background to get crisp white.)
Here are the results: http://www.flickr.com/photos/dumbledad/3113141356/
I gave up on building a pixel bar-graph – working out a pixel match and an ordering which looked good took too long. But at some point in the making I had it laid out as a mosaic, which looked great and would be quicker so I swapped to that.
One of a photo collection taken at the Pima Air & Space Museum in Tucson, Ariznoa. They have an amazing collection, and a friendly and knowledgeable staff. We had a great day there with the whole family. The kids love it… and so do the grown-ups. I had not been since I was a child… anyway. I hope you enjoy the image.
Old photo of detail of large bronze sculpture that I cropped further and brought out more color (the green might be from the surrounding lawn). I also pushed the painted effect further that was already there in the fuzzy reflection of colors. Most recently edited with iPhoto on my new iPad.
Redwood's abstracted heads recall the grotesquerie and flatness of Jim Nutt or Glenn Brown but in a fluid frenzy recognizable by his own stylized intestinal version of brushwork. Most of the heads evolve independently through a different technical approach. In one figure, the eyes, nose, and ears are transparent swirling bold lines, in another they are poured half-removed puddles or literally paint drippings. The organic and vibrant colors seen in Redwoods dynamic landscapes carry through this new imagined cast of characters. These characters strike an alternating balance between abstraction and representation. While his previous works bounced between the narrative and the construction of the narrative, On A Neck delivers a personalized vision of the portrait.
Redwood's approach to the figure mixes with popular motifs in contemporary painting such as centrifugal composition, visual puns, dark brooding expressionism, whimsy, and the portrait as icon. His figures seem to melt, float, bulge and glide across his glass-like gessoed canvases. The relevance of historical influence abound throughout the seventeen small works on paper and canvas. In these scaled down images a more intimate, biological mark invades the portraits not seen in his previous larger works.
Nathan Redwood's work is held in numerous private and public collections. He has exhibited extensively from the Neuberger Museum of Art (New York), the Torrance Art museum (California), at TENT Centrum Beeldende Kunst (Holland) and the San Jose Museum of Art (Forthcoming). His work has been featured in, among others, The New York Times, The Los Angeles Times, Art In America and US Art, and the forthcoming issue of McSweeney's Quarterly Concern. On A Neck, Redwood's second solo exhibition with Electric Works will be on view from September 11th through November 7th, 2009.
Electric Works
130 8th Street
San Francisco, CA 94103
vox 415.626.5496
fax 415.626.2396
info@sfelectricworks.com
One of a photo collection taken at the Pima Air & Space Museum in Tucson, Ariznoa. They have an amazing collection, and a friendly and knowledgeable staff. We had a great day there with the whole family. The kids love it… and so do the grown-ups. I had not been since I was a child… anyway. I hope you enjoy the image.
Model: Nathalie
Make-Up and Styling: herself
ISO 400, 50 mm, f/2,8, 1/100 Sek.
Second set from the photoshoot with Nathalie at the 6th meet up of the Model Kartei Bayerwald group in Pullman City near Eging am See. This time much more desaturated to fit the thoughtful mood. I hope you like it.
Strobist info: Hard to recall. Two flashes for sure. One bare LP120 from the right at 1/4 power I guess. One equally powered LP120 shot through a Westcott umbrella for fill from the front, slightly to the left. Must have been at 1/4 power too. Both flashes were fired by Cactus V4 radio triggers. Available light from the left.
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last of my feather images....thanks for looking.....appreciated.....best bigger....hope you have a Great Week
Let’s call this image a work-in-progress, ok? As photographers if we’re honest with ourselves, none of our images turn out EXACTLY how we want them to, especially when we’re trying something new. However, I am very happy with this composite. I wanted to do another multiple exposure this week, but this time with a lot more images – 50 is a lot, right?
I captured the same flag at roughly 1 second intervals for 2 minutes for this creation, and each flagpole is rotated exactly 1/50th of the circle. While the blending/opacity did not turn out with the effect that I wanted, I am exceedingly happy with the happy accidental bushes around the edge!
p.s. I’ll let you guys figure out why I chose 50 images.