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Brittas Bay is a very well known beach about 40 kilometres south of Dublin. It is famous for the sand dunes and it's sandy beach. I went down there a couple of weeks ago for the sunrise which was at 5.40 but unfortunately I did'nt realise how much of a walk it was from the main road and missed those pre-sunrise shots. I hope you enjoy this series of images.
PFW_3070
5:40 h , dans mes campagnes.
La magie du petit matin !
Cliquez pour agrandir \ Click for a larger view
5:40 am, in my countrysides.
The magic of the early morning!
Über dem Nebel
Rigi Kaltbad LU, Schweiz
Contax G2, Sonnar 2,8/90 mm, Kodak TMY 400
Lithprint auf Austron Atelier N Postkarte (randlos auf 10x15 cm)
SE5 1+8, +2 f-stops, 5:40 min
Lith Omega 1+80, 3 min
Selentonung MT1, 1+9, 1:20 min
As we drove away from the lions and lechwe, i took a few shots of the lechwe gathered under the trees in the late afternoon light. Here is an extract from my Journal of that day:
The lechwe were in three groups, and the lions worked each group in turn. Chachos set a time limit of 5:40, because we had a 90 minute drive back to Okuti Camp. We broke off our observation as the sun was about to set, the lions still on the trail of the lechwe. Chachos said the lions would make a kill after sunset because lechwe have poor night vision. The lions would approach unseen and take their quarry by surprise.
No painted dogs, no cheetah and no kill, it could have been a bad afternoon, but it was a great afternoon. We talked all the way back to camp, and we connected. What a great way to end my Botswana adventure.
Chachos offered to take me out on a short game drive first thing next morning, but I declined the offer. I'm booked on a 10 o'clock flight to Maun tomorrow morning, with a connecting flight to Johannesburg. Nothing was going to top my afternoon in the grassland with Chachos and the lions.
Grey geese passing by
Rheindelta, Vorarlberg
Canon EOS 50E, Canon EF 100mm f/2.8L Macro IS USM
Ilford FP4, Rodinal 1+25
Lithprint auf Fomatone 532II
Easy 1+20, +2,5 f-stops, 5:40 min
Selentonung MT1, 1+10, 1 min
from our garden
Canon EOS 50E, Canon EF 100mm f/2.8L Macro IS USM
Eastman Double-X, Kodak D-76 (1+1)
Lithprint auf Agfa Brovira BN 119
SE5 1+10, +3 f-stops, 5:40 min
Selentonung MT1, 1+10, 1:20 min
Had to make a trip to Denver this morning at around 1:30. Returning back to Cheyenne took a sunrise picture from the car at around 5:40. I do enjoy the sunrises and sunsets of the West.
Omschrijving: Grote ruimtelijke constructivistische plastiek
Materialen: Staal, coating van zink en messing, en zwart marmer (op beton)
Afmetingen: 4.50 x 5.40 x 26 m
Jaar: 1957
Opdrachtgever: De Bijenkorf
Geldbron: Particulier
Eigenaar: IEF Capital
Taraxacum officinale grows from (generally unbranched) taproots and produces several hollow, leafless flower stems: 470 that are typically 5–40 centimetres (2–15+3⁄4 inches) tall, but sometimes up to 70 cm (28 in) tall. The stems can be tinted purplish, they are upright or lax, and produce flower heads that are held as tall or taller than the foliage. The foliage may be upright-growing or horizontally spreading; the leaves have petioles that are either unwinged or narrowly winged. The stems can be glabrous or sparsely covered with short hairs. Plants have milky latex and the leaves are all basal; each flowering stem lacks bracts and has one single flower head. The yellow flower heads lack receptacle bracts and all the flowers, which are called florets, are ligulate and bisexual. In many lineages, fruits are mostly produced by apomixis,[notwithstanding the flowers are visited by many types of insects.
The leaves are 5–45 cm (2–17+3⁄4 in) long and 1–10 cm (1⁄2–4 in) wide, and are oblanceolate, oblong, or obovate in shape, with the bases gradually narrowing to the petiole. The leaf margins are typically shallowly lobed to deeply lobed and often lacerate or toothed with sharp or dull teeth.
The calyculi (the cuplike bracts that hold the florets) are composed of 12 to 18 segments: each segment is reflexed and sometimes glaucous. The lanceolate shaped bractlets are in two series, with the apices acuminate in shape. The 14–25 millimetres (1⁄2–1 in) wide involucres are green to dark green or brownish-green, with the tips dark gray or purplish. The florets number 40 to over 100 per head, having corollas that are yellow or orange-yellow in color.
The fruits, called cypselae, range in color from olive-green or olive-brown to straw-colored to grayish, they are oblanceoloid in shape and 2–3 mm (1⁄16–1⁄8 in) long with slender beaks. The fruits have 4 to 12 ribs that have sharp edges. The silky pappi, which form the parachutes, are white to silver-white in color and around 6 mm wide. Plants typically have 24 or 40 pairs of chromosomes, while some have 16 or 32 pairs.
... Ma un buongiorno un po' inquietante
Mi ero svegliata circa alle 5,15
Ho guardato pochi minuti qualche fotografia e poi mi sono riaddormentata..
Ho fatto anche bei sogni, ma poi mi sono svegliata di colpo col batticuore : avevo sognato che la mia camera da letto oscillava. Non molto, ma oscillava : era un terremoto ! E chiamavo mio figlio per avvertirlo.
Ho guardato ora per curiosità i terremoti di oggi in Italia : c'è n'è stato uno lieve proprio alle 5,40 tra Italia e Francia, al confine, quindi vicino.
Circa due settimane fa un episodio analogo : sognavo che ero in una casetta in montagna. Era una piccola casa in fondo a una stretta valle ( non reale). Nel sogno mi svegliavo, mi affacciavo alla finestra e vedevo che nevicava molto. Il paesaggio era bellissimo, tutto imbiancato, ma io avevo pensato : è pericoloso, potrebbe venire giù una valanga! E mi sono svegliata anche quella volta con un senso di angoscia ( ricordo bene questi sogni proprio perché mi sono svegliata di colpo).
Ho appreso poi dalla Tv che proprio in quelle ore c'era stata una valanga in una valle, mi pare la Valsesia. Erano stati sepolti dalla neve quattro alpinisti, ma per fortuna si erano salvati.
Io non credo a queste cose, ma inizio a preoccuparmi di queste coincidenze..
A Torino, verso gli anni '80, avevo sognato il terremoto, ma quella volta c' era davvero, ed era stato forte
Qui il sole che sta per tramontare, filtrando tra le rose
DSC_3422
I haven’t bothered you since the beginning of the lockdown in France (March 17) with my little " Diablotin de Provence" (Empusa larva). But it was present (at least since October 13) almost always on the same place, in a blanket flower plant of my garden. For a week, I couldn’t spot him, but it wasn’t the first time it happened.
May 9, 5:40 pm:
This afternoon, I discovered on this place this beautiful empusa imago with a straight abdomen covered with wings.
This rainy afternoon does not give favorable lighting conditions, especially since this small insect, once become imago, is more fierce than before and sinks deeply into the heart of the plant, making the automatic focusing system inoperative...
I hope the sun will be back before it flight away far from its flower blanket!!!
Since it hasn't any ‘feather’ type antennae, it's a female imago.
Morcote TI, Schweiz
Canon EOS 1, Ilford Delta 100
Lithprint auf Fomatone 132
Easy 1+10, +1,5 f-stops, 5:40 min
Siena 25 + NH4Cl 8 + Carbonat 15 + H2O 800, 1:20 min
MT 1 Selentoner 1+9, 40 sec
Lichter gebleicht
MT3 Vario Schwefeltoner (50+50+900)
Picture taken with Rollei 35 TE ( www.flickr.com/photos/role_bigler/49000999198/in/album-72... )and Kodak Gold 200
Every February the sun shines perfectly on this wall in Yosemite. At dusk as the sun sets, the wall lights up and looks like it is on fire. Last year there wasn't any snow or water so the falls were dry. This year the recent snows have given life to Horsetail and it is flowing nicely. Tonight the sun came through and lit up the wall.
It was a really interesting experience. One lane on both sides of the valley floor was blocked off to allow the photographers to park. I came up with the Fresno Camera Club and they set tripods to reserve their spots at 9:30 in the morning. The parking lot in this area was almost full at this hour. I went around the park and shot at different locations and came back around four in the afternoon. When I tried to park I had to drive 0.5 of a mile away from this spot and hike back to join them. Now there were around 100 photographers in this area jockeying for tripod space.
We all patiently waited for that window when the sun would put on its show. When I first arrived back, the sky was white with clouds and everyone was nervous that there wouldn't be enough light. Around 4:30 the sky cleared up and at 5:40 the show began. Everyone in the area cheered at the same time. It was really an uplifting experience hearing 100 photographers being that excited. This is probably my best shot of the night. I think in the end nature didn't disappoint us on this night.
Brónica ETRsi, Zenzanón 3,5/40, HP5 revelada con Rodinal y escaneada con Plustek 120, copia en papel 30x40
BDCC Monthly challenge: British summertime
5:40 PM Cromer pier in the middle of July should be buzzing with life, People eating fish and chips, children running around and the general hubbub that is usually found on the pier in summer. Have I cloned them out? No, it was bitterly cold and blowing a hoolie (it had rained all day) not a soul to be found here...except yours truly who just had to get a photo.
Lensbaby Sol 45
Entweder der RE 2 oder der „alte“ München-Nürnberg-Express – kein anderer Regionalexpress im Söderland wird in dieser Zeit so oft von Fuzzis geknipst. Ich kann nun stolz sagen, dass ich ab heute, dem 6.3.2025, auch zu dieser Gruppe Menschen gehöre, die eine der zwei Sachen auf den Chip gebrannt hat. Die zweite Sache, der RE 2, wird bei mir wahrscheinlich nie kommen, denn in jedem dritten Beitrag, den ich hier auf Flickr sehe, ist eine V160 mit roten Doppelstockwagen zu sehen, und irgendwann habe ich mich sattgesehen.
Auch zu den 0815-Fotografen gehört Hobbyfotograf Konstantin E. Gemeinsam mit ihm plante ich zu Beginn der Ferien, wann wir den „MÜNÜX“ einfangen wollten. Schon letztes Jahr wollten wir beide unbedingt einmal an die Stelle in Fahlenbach pilgern, doch – wie so vieles – wurde dies nie in die Realität umgesetzt. Als Datum wurde der 5.3.2024 ausgewählt, und schnell verdoppelte sich die Gruppe von zwei auf vier. Unter anderem sollte auch Adrian B. dabei sein… Doch, wie so oft bei Touren mit dem Hobbybadenser, scheiterte es schon in den frühen Morgenstunden. Mehr dazu in einem späteren Beitrag…
Ein wirklich tolles Bild von jenem Tag ist aber schon online: flic.kr/p/2qQgck7.
Am Abend des 5.3. wollte ich mich nur kurz für ein paar Minuten ausruhen – ehe aus dem Ausruhen eine ruhige Nacht wurde. Am nächsten Morgen wachte ich zum Glück ohne Wecker gegen 5:40 passend auf. Kurz darauf schrieb ich Konstantin E. an, ob er schon wach sei. Und in der Tat: Keine fünf Minuten später schrieb er zurück – er habe doch allen Ernstes den Zug „verpasst“. (Für mich immer noch eine klare Ausrede, in Wirklichkeit hat er verschlafen.) Da ich keine Lust hatte, die Tour einen zweiten Tag hintereinander in den Sand zu setzen, bewegte ich mich rasch aus dem Haus. Nach einem ewigen Hin und Her mit einem stark gereizten, fast schon glühenden Badenser entschieden wir uns, es trotzdem zu probieren. Ich nahm eine deutlich entspanntere Route über Aalen nach Donauwörth, während Konstantin E. über Ulm fuhr – mit extrem knappen Umstiegen. Zugegeben, ich selbst glaubte auch nicht daran, dass er es schafft, aber entgegen aller Erwartungen schaffte er es in die Agilis in Ulm. Ich selbst hatte auch Probleme, da meine S-Bahn – wie immer – +10 hatte. Dadurch stand der Umstieg auf den Folgezug auf der Kippe. Ich mache es kurz: Ich habe ihn bekommen. In Donauwörth trafen wir uns dann wieder. Als Dank für meine Geduld und die Ideen, die ich ihm am frühen Morgen gegeben hatte, legte er sich erst einmal schlafen.
Gegen Mittag kamen wir in Rohrbach (Ilm) an. Konstantin, mit dem Drahtesel unterwegs, bog erst einmal Richtung Rewe ab. Ich hatte dafür keine Zeit, da man zur Stelle gute 50 Minuten läuft und in exakt 60 Minuten der 103er-Killer um die Ecke biegen sollte. Am Ende klappte dies auch, doch danach war erst einmal laaaaange Flaute. Einzig ein Albino-TX-Doppel lockerte die Stimmung etwas auf.
Gegen 14:00 Uhr teilten wir uns auf: Hobbybadenser und der mittlerweile eingetroffene Alex Schmidt radelten nach Dörfl, während ich mir einen neuen Plan suchte. Grund für meine Entscheidung war der immer noch kaum vorhandene Güterverkehr, und für eine 111er sah ich es nicht ein, noch einmal eine Stunde den „Fußbus“ zu aktivieren. Glücklicherweise war in dieser Zeitspanne der einzige Bus pro Stunde in Fahlenbach zu erwarten. Also schnell zur Bushaltestelle gerannt – und dann fast den Bus verpasst, da er sich nicht als Bus entpuppte, sondern als postautoähnliches Kraftfahrzeug… Am Bahnhof suchte ich dann nach einem geeigneten Spot in Eitensheim. Da die Züge an diesem Spot bis zum Verschwinden der Sonne hinter dem Horizont perfekt belichtet wurden, konnte der Tag hier super ausklingen.
Die Züge rollten überraschend gut, sodass unter anderem die dritte TX-Albino-193 abgefangen wurde. Gegen 17:00 Uhr waren die Gleise seit über 25 Minuten still, und ich setzte mich auf den warmen Boden. Das Signal hatte ich immer im Augenwinkel, doch es zeigte noch Halt, als auf einmal der MÜNÜX-Steuerwagen in den Büschen auftauchte. Ich schoss in die Höhe, dachte zuerst an einen Messzug, doch als dieser auf einmal fünf rote IC-Wagen aufwies, war ich verwirrt. So verwirrt, dass ich erst einmal zwei Minuten ungläubig auf meinen Kamerabildschirm starrte. Danach begann schnell die Recherche: Es handelte sich hierbei um den RE 4030 nach Nürnberg, der zu meinem Glück über das malerische Altmühltal umgeleitet wurde. Zugegeben, vom malerischen Altmühltal sieht man auf dem Bild recht wenig, dennoch bin ich mehr als zufrieden mit dem Resultat.
Jetzt fragen sich einige vielleicht: Warum zeige ich denn nicht die Garnitur Lok voraus in Fahlenbach? Ganz einfach: Das Bild fernab der SFS kann nicht jeder posten – das aus Fahlenbach schon :). Außerdem – und da sind wir bei meiner Meinung angekommen – finde ich den Steuerwagen interessanter als die Lok. Denn: Eine 101 kann ich noch oft fotografieren, einen roten IC-Steuerwagen eben nicht mehr. Außer an Messzügen und mit gaaaanz viel Glück an einer stark verspäteten Überführungsfahrt von Stuttgart nach Ulm. Erwähnenswert wäre da auch noch der UWEX, der ebenfalls mit solchen Steuerwagen verkehrt, jedoch hinter der Vectron versteckt ist.
Zum Mitfahren ist er wohl ein wenig besser als der neue Škoda-MÜNEX. Das ist meiner Meinung nach aber der Tatsache geschuldet, dass man sich wie in einem Intercity fühlt. Mitgefahren bin ich auf dem RE1 nur im Škoda, wobei ich hier viel Kritik nicht verstehe. Die Sitze sind – anders als in Neufahrzeugen wie z. B. dem Hamster – sehr komfortabel, die Kapazitäten sind immens, und er ist sehr, sehr laufruhig. Einziger Kritikpunkt meinerseits ist die Enge der Durchgänge in den Wagen/Treppen. Sie geben mir eher Flugzeug-Vibes und sind für einen Hobbybadenser namens Konstantin E. nicht geeignet. Den alten MÜNÜX bin ich auf dem RE1 noch nicht gefahren, aber da ich schon Erfahrung auf dem UWEX gemacht habe, finde ich, dass beide ein Gewinn für die Relation München – Ingolstadt – Nürnberg sind.
Das war wohl die längste Beschreibung auf diesem Account bis jetzt (angefangen in Treuchtlingen, die letzten Buchstaben werden in Schwäbisch Hall-Hessental getippt). Wer bis hierhin gelesen hat, hat meinen Respekt – danke!
Camera: Rollei 35
Lens: Tessar f/3.5 40 mm
Film: Fuji Acros II 100, rated @ ISO 100
Exposure: 1/125 sec and f/5.6, hand-held
Film developed and scanned by Foto Brell, Bonn
Edited under Adobe Lightroom
@ Pangeran Antasari street in city of Bandar Lampung, Lampung province, Indonesia.
"Thank you very much for all your faves and stay healthy" :-)
Had to go re-visit this magic little place for another new beginning - dawn on Sunday 19-Nov in the rice fields lined with sugar palm trees just north of Bangkok. Wishing you all a happy week!
Check my albums for some more fantastic vistas from this place :)
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Taken last Saturday while waiting for the moon to rise. Same location as my last upload. I didn't notice the birds were there until I've seen the photo on my computer monitor.
Main Photo taken @ 6:18 PM
Comment Photo taken @ 5:40 PM
HAPPY THANKSGIVING !!!
#PRLX4687 [SD70M] continuing its journey south to Antonito, CO to work customers on an overcast Sunday afternoon. The Sangre de Cristo (“Blood of Christ”) mountain range looms off in the distance.
Here, at La Fruto, on the former D&RGW San Juan extension, stands what appears to be an old freight warehouse that more than likely once received rail service long ago. The property surrounding the building is littered with derelict vehicles from past generations.
7-25-2021 | 5:40 PM
Camera: Rollei 35
Lens: Tessar f/3.5 40 mm
Film: Ilford HP5 Plus 400, rated @ ISO 400
Exposure: 1/250 sec and f/11, hand-held
Film developed and scanned by Foto Brell, Bonn
Edited under Adobe Lightroom
Camera: Rollei 35
Lens: Tessar f/3.5 40 mm
Film: Kodak Gold 200, converted to b&w
Exposure: 1/125 sec and f/5.6, hand-held
Film developed and scanned by Foto Brell, Bonn
Edited under Adobe Lightroom
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872520012011
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PREFACE
"SHADHINOTA is My Cause for the 40th Celebration of BANGLADESH Independence. The land, the mighty rivers and the natural beauty makes Bangladesh a land of unparalleled splendor and magnificence. Bangladesh was liberated after a prolonged war of Independence the declaration of which was given on 26th MARCH 1971. One of the worst genocides Genocide in history took place at the behest of an autocratic regime in the name of Political stability spearheaded by the then Pakistan President Yah ya Khan. After 9 months of Liberation war and the sacrifice of 3 million lives Victory came. In addition to the loss of lives countless others were rendered homeless, the infrastructure including roads and bridges and factories lay in ruins. The people of Bangladesh have shown time and again how resilient they are. After each and every disaster, natural or man-made the people have again stood up and started all over again from scratch.
My Effort here is to pay tribute to the valiant sons of the soil and the ‘die hard’ attitude of a people who can still smile in the face of adversity however great it may be. I plan to make a collage of images that represent the lives of the people of Bangladesh. I encourage you to upload a photo each day till I have a total of 40 images for the Cause SHADHINOTA in the group Frame BANGLADESH"
To be Continued till 26th March 2011
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The Edit of this Photo Demands Your View In BLACK with Large size for better out put, Plz Press L for Black
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Description :
This is A Portrait of our Dreamed SHADHIN Bangladesh , A LAND, A Home , A Life , A Culture in village life. This Image was captured from Village SILAN Under Dhamrai upozilla, Dhaka, BANGLADESH.
All other photo off this set available here SHADHINOTA-2011
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Camera: Rollei 35
Lens: Tessar f/3.5 40 mm
Film: Fomapan Action 400, rated @ ISO 200
Exposure: 1/125 sec and f/5.6, hand-held
Film developed and scanned by Foto Brell, Bonn
Edited under Adobe Lightroom
Fomapan Action 400 has a quite different look and seems to be a suitable alternative for specific intensions and photographic subjects. This classic film emulsion delivers more distinct grain, more sooty dark tones and some blooming of the highlights, which can emphasize the mood of a picture favorably. However, the sensitivity of this film emulsion seems to be lower than box speed, because the shadows tend to lose detail.
The more distinct grain results from the cubic grain structure of the emulsion. In contrast to the softer grain pattern of the tabular grain of modern films like the Ilford Delta or the Kodak TMax film series, cubic grain is more apparent. The softening effect by overexposure is said to result from a poor anti-halation layer. The light bouncing around causes halos and glowing highlights, creeping into the darker areas and tending to wash out the highlights.
The darkening of the foliage and the shadows seems to pretend the higher contrast. Fomapan Action 400 has much more sensitivity to the red end of the spectrum than in the blue and green region, so to speak a built-in orange or red filter. As a result, green leaves and shadows in general come darker in tonality. However, the contrast and graininess can both be reduced by overexposure. Meanwhile, I expose Fomapan 400 at ISO 200 (rather than rating the film at box speed) to open up the shadows for showing more detail.
This film definitely has a unique look, which is much appreciated by many photographers. Together with its deep black and the glowing highlights, Fomapan Action 400 can produce the beautiful and timeless look of classic film emulsions, different from other b&w films and quite different from digital rendering. This film and a vintage camera seem to be a good combo.
Camera: Rollei 35
Lens: Tessar f/3.5 40 mm
Film: Fomapan Action 400, rated @ ISO 200
Exposure: 1/125 sec and f/5.6, hand-held
Film developed and scanned by Foto Brell, Bonn
Edited under Adobe Lightroom
Camera: Rollei 35
Lens: Tessar f/3.5 40 mm
Film: Fomapan Action 400, rated @ ISO 200
Exposure: 1/125 sec and f/5.6, hand-held
Film developed and scanned by Foto Brell, Bonn
Edited under Adobe Lightroom
Boli to nemalé stresy, keď nám na Devínskom Jazere pri čakaní na Retro Slovenskú strelu, ktorá bola v sobotu 9.9.2023 vypravená v príležitosti akcie Rendez 2023 z Prahy do Bratislavy, hrozilo, že nám ju zakryje protiidúce EC 172 Hungaria. A veru sa tak aj skoro stalo, Hungaria prešla okolo nás ako prvá, no ešte bolo vidno posledné vozne, a už spoza nich vyčnieval zberač „gorily" 350.020 v čele Slovenskej strely. Bolo to teda naozaj o chlp, no očividne pri nás stali všetci svätí, a tak som si z Devínskeho Jazera okrem pár škrabancov zo stromu odniesol aj túto fotku, fotku azda jedného z najzaujímavejších mimoriadnych vlakov v ten deň, ak nie toho najzaujímavejšieho... A veru som si ju neodniesol jediný, keďže nás tam bolo 14, no o to väčší zážitok. Ešte k tej strele, tá odišla z Prahy o 5:40 pod symbolickým číslom Zvl Ex 10273 s gorilou 350.020, ktorá je v súčasnosti menej známa aj jej častými poruchami, a veru ani v ten deň "nesklamala". Ešte v Bratislave na Novom Meste po ceste „na Rendez" sa jej urobilo akosi nevoľno, a tak prišla na pomoc mazutka 555.3008, ktorá strelu potiahla do cieľa.
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J'ai pris cette photo avec le matériel de bord (mon Lumix G7, sans monture astro ni trépied, avec un objectif pourri ... bah oui, j'avais pas prévu que j'aurais une petite fenêtre vu la météo annoncée donc je n'avais pris que mon appareil pour les photos de jour), dans des conditions plus que moyennes (les nuages qui se pointent en même temps que la lune), ben c'est pas pire.
Donc là, c'est le Sirac enneigé vu depuis le refuge du Gioberney (Valgaudemar) avec Jupiter qui brille bien et Saturne complètement à droite en bas.
Pour les EXIFS, c'est 54 poses de 13 sec, iso 1600, zoom panasonic 14-140 @14mm f/4.5+ 40/40 dark/offsets (pas de flats). Traitement Siril + GIMP. Pas de suivi astro, l'appareil était juste posé sur un caillou.
I took this photo with the only equipment I had (my Lumix G7, without any astro mount or tripod, with a rotten lens ... well yes, I hadn't expected that I would have a small window given the forecast weather, so I only took my camera for daytime photos...). Conditions were more than average ... i.e. as worth as possible (clouds appearing at the same time as the moon). Given all of this, it's a pretty good photo.
This photo shows the snowy mount Sirac seen from the Gioberney refuge (Valgaudemar) with Jupiter shining brightly and Saturn completely to the right below.
EXIFS: 54 exposures of 13 sec, iso 1600, panasonic zoom 14-140 @14mm f/4.5+ 40/40 dark/offsets (no flats). Siril + GIMP processing. No astro tracking, the camera was just placed on a stone.