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Seen in Febuary 2010 on Service 68A which was withdrawn in August 2010. Relpaced in part by 71A/966/66. 10 B10L`s was drifted in from Acocks Green Pensnett & Yardley Wood to run the service. Here is and EX-Pensnett Example 1418.
1478 1480 from Acocks Green
1412 1418 1444 1449 1462 1465 from Pensnett
1403 1455 from Yardley Wood
LIFE OF BUS 1418
New to Coventry Garage January 1997
Transferred to Birmingham Central July 1998
Transferred to Perry Barr May 2005
Transferred to Pensnett July 2006
Transferred to Perry Barr October 2009
Withdrawn Janaury 2012
Sold to PVS for Scrap August 2015
Location: Sutton Coldfield, Lower Parade
26 Febuary 2010
PB
Monument aux morts de Pierrelatte (26-Drôme) devant le cimetière.
Sculpture de Fortuné Imbert - Né à Bourg-Saint-Andéol (Ardèche) le 29 janvier 1863 - décédé en 1945
Former Aberdeen Corporation & Grampian AEC Swift 26 (NRG 26H) is owned by the Aberdeen & District Transport Preservation Trust stored at the Glasgow Vintage Vehicle Trust depot at Bridgeton and acts as a great publicity vehicle to highlight the Aberdeen trusts collection.
built by Hunslet of Leeds in 1957 0-6-0 shunting locomotive DL 26 seen in black livery at the Didcot railway centre
Take a photograph of a place that is less than one mile from your home.
– Fabrice Fouillet
Fabrice adds…
"We can often have the feeling that interesting things to be shot can only be found somewhere else, far away from home. So maybe it could be something you see everyday without considering that it could be interesting."
IMG_7388
Phibsboro's VT70 makes a rare appearence on route 26 coming onto the Old Lucan Road, August 2011, providing cover for an unavalable AX.
26 by 26 - Challenge #17:
Make a picture that strives to demonstrate empathy for a subject you may not have necessarily felt a sense of emotional connection to before.
— Zun Lee
Fujifilm GA645 1:4 60mm Ilford FP4 Plus 125 (expired Sept 2007)
09060002
Berkhamsted Common, one of my favourite haunts, just after a deluge. Even though the sky looks quite busy, this was quite calm and chilled moment. I was intrigued by the contrast between the colour of the grass seed heads and their stalks. I should get a life...
iphoto colour boost.
2018 February Alphabet Month
As this photo was taken, the 2018 Olympics in South Korea are drawing to a close. Ingmar and Sleepy say 'Congratulations' to all the athletes who participated. Win or lose, they would represent their country in this field of competition after months of training.
As for these athletes, they are zig-zagging down a slope with a little added feature. Yes, you see it, don't you? That cute little penguin being photographed by a Flickr photographer. What a little stinker!
2018 February 26
Treat Her Right at The Middle East, Cambridge, MA
www.myspace.com/treatherrightband
en.wikipedia.org/wiki/Treat_Her_Right
Treat Her Right
OriginBoston, Massachusetts, United States
GenresBlues, Low rock
Years active1984-1991, 1995-1998, 2009-10
LabelsRCA Records, Rounder Records
Members
The late Mark Sandman
Dave Champagne
Jim Fitting
Billy Conway
Gust: Billy Beard
Treat Her Right brought the blues back to the Boston rock scene with a fresh new approach, one which rolled back the too-cool veneer to illuminate the blues-based origins of rock. The power and sheer joy in their sets made clear the reasons why Brian Jones and company sought an avenue for young, white class rebellion at the feet of blues revivalists like Alexis Horner- and later at the actual source: Muddy Waters, Little Walter, Robert Johnson, Lightning Hopkins. THR obtained a weekly residency in Cambridge's Plough and Stars, the tiny Irish pub on Mass Ave. The series of shows that they played at the Plough established the band almost immediately as the premier drinking and dancing outfit in the city. David Champagne remembers those shows, as early as they were in the band's history, as their creative high point." We took chances at those shows that we - that I - wouldn't later on, once we were established. Indeed the band would always excel in small club situations. They were just perfectly suited to sweaty, smoky rooms that were packed with bodies crammed against one another. Some of my favorite THR shows aside from the Plough gigs were a Providence R.I. performance that I attended at a sometimes strip club to shoot super-8 footage of the band, and a NYC show at a miniscule dive that featured the Maneaters as the opener. The Maneaters were an all-female blues-rock act I'd worked with at the Fort when their producer, Peter Halsapple of the DB's (later a key touring presence with REM, and Hootie and the Blowfish) brought them to Boston; they were a good match for THR. After that Manhattan road trip I got a bit closer to Mark Sandman. We got together whenever we could to go candlepin bowling at the alleys underneath the Middle East Restaurant. I liked Mark tremendously right from the start. His philosophy of songwriting was wonderful- less is more would be an understatement to describe it. Mark told me once that the best songs had only one verse and, if necessary, a single chorus. Mark is the kind of guy who always had something to play for you when you came by his house- some wild kind of Brazilian American music or an obscure delta blues tune, or a tape of a song written for one of his many ongoing projects. I remember going by there one day and realizing he was playing in five different bands, all of which with the exception of Treat Her Right he had started himself. It was hard to keep up...Sandman, Candy Bar, Morphine, plus side projects slipped between the regular bands. I thought of Mark as an extremely shrewd musical investor who had diversified his holdings to minimize the risks and maximize the potential for hitting the jackpot. As it turned out it was Morphine that Mark Sandman would take to the bank when THR became insolvent, and Morphine within which he would develop his songwriting formula to its' logical, hypnotic end. The Morphine article isn't too long, but there are a large number of Morphine pages on the web, both official and unofficial, so I know you won't starve for lack of data. There is also a page on this site dealing with harp player Jim Fittin's new band, the Coots. Very different stuff, a combination of blues, country swing and New Orleans-style funk and rock. Just take this link to the Coots page to check them out. As for Dave Champagne, he started a very cool band after THR called the Jazz Popes. I think Dave wrote some of his best material for that band. Although David's post-THR refinement of his songwriting style didn't meet with the immediate commercial success of Mark's Morphine catalogue, I felt the material was just as interesting and unique as the latter's... but with a few more lyrics thrown in. Dave and his wife Katie played the ocassional show together when they could get a good babysitter under the name the Heygoods. Their performances at Billy Ruane's Valentine's Day '98 show at Green St, Grill and at Skeggie's Spring '98 Plough and Stars gig were thouroughly enjoyable, and shows at the Toad in summer '98, and in September at Green Street Grille revealed an act that just kept getting better. Here's a few pictures, and the Heygoods article has a lot more. You can also find a link there to the new Heygoods
Discography
Treat Her Right (1986)
Tied to the Tracks (1989)
What's Good for You (1991)
The Anthology 1985-1990 (1998)
The Lost Album (2009)
Orchestra Morphine at The Middle East, Cambridge, MA
www.hi-n-dry.com/orchestra_morphine/
en.wikipedia.org/wiki/Morphine_(band)
Orchestra Morphine is a living celebration of the music of Mark Sandman and Morphine, played with heart and commitment by a big band of Mark's friends. The group includes his Morphine bandmates Dana Colley, Billy Conway and Jerome Deupree, Either/Orchestra leader Russ Gershon, Club d'Elf bassist Mike Rivard, horn player Tom Halter, keyboardist Evan Harriman and vocalists Christian McNeill and Laurie Sargent. Morphine Orchestra formed to play the first Mark Sandman Memorial Concert on July 25, 1999, outdoors at an intersection of Central Square in Cambridge, Massachusetts - a bastion of clubs and Mark's musical stomping grounds - that was named Mark Sandman Square in his honor. Since then the Orchestra has toured America and abroad, recording several live albums as testimonials to their travels and, of course, to Mark himself.
HI-N-DRY
191 Highland Ave, Somerville, MA 02143
Tel. 617-440-3991| Fax 617-440-5007
info@hi-n-dry.com
Interior shot of former Aberdeen Swift 26 showing the removal of seats from its days an Aberdeen City Council events promo vehicle.
I found this picture amongst old family snap shots. The date on the back of the picture is December 26, 1921. I have to believe that this scene is from my grandparent's home, WIlliam and Harriet Swan, who lived at 948 Elm Avenue in Salt Lake City. Further, the toys appeaar to be those my aunt, Marian Swan Larsen, recieved at Christmas the day before. Marian would have been three and a half years old. — at 948 Elm Avenue, Salt Lake City, UT
My husband has a new toy. . .er, tool. . . for coaching volleyball. He clocked this big goof bounding in the fresh snow yesterday at 26 mph.
I'm working all weekend long. Otherwise I'd love to capture Da Boyz playing in the several added inches of white, fluffy snow. The best kind for white spray action captures!
[SOOC, f/1.4, ISO 250, shutter speed 1/500, +2/3 EV]
bali, indonesia
1972
temple
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
bali, indonesia
1972
barong dance
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com