View allAll Photos Tagged 2.8

PentaconSix CarlZeissJena Sonnar 180mmf/2.8

Rhododendron

[Steinheil München Auto-Tele-Quinar 135mm / 2.8]

Friday, 07-Jun-2024, 19:38:40.

 

Reina Sofia Palace of the Arts, Avinguda del Professor López Piñero (Historiador de la Medicina), Ciutat de les Arts i de les Ciències, Quatre Carreres, Valencia, Comarca de València, Valencia, Valencian Community, 46023, Spain, ESP, altitude 0.82 m.

 

NIKON CORPORATION NIKON Df, 24.0-70.0 mm f/2.8, 24 mm, F/8, 1/80 s, ISO 100.

 

www.deadmount.com

borrowed micro Nikkor

 

Nikon D80, Nikkor 105/2.8, ISO 200, f/5,6, 1/125, 105mm

 

Thank you all for faves and comments

'L' for the high definition view!

 

Clouds are so rare in Dubai, no need to tell you how glad I was to have some over the Burj Khalifa yesterday morning at 6am!

 

Vertorama + Digital Blending.

 

Dubai Set | Digital Blending Set | Night Photography Set | Burj Khalifa Set | Vertoramas Set

 

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Famous Washington St. with it's iconic view of the Manhattan Bridge, and if not for one of the unsung brilliant Mayor's of NYC D.Dinkins this Bridge would have been in the river.

 

But historic pov, streets called Washington St. for at the waters bank at streets end G.W made his retreat to Manhattan with his troops to keep fighting for another day. As a true leader he ferried on the last boat to Independence of a nation.

Nikon F90X : 24-135mm Sigma f/2.8-4.5D : Arista EDU Ultra 100 : Spur Acurol-N

Una pequeña P. panoptes libando sobre unas flores de la planta Teucrium gnaphalodes.

Tanto la planta con sus flores como la mariposa son pequeñas y discretas. Pero hacen un conjunto bello al menos a mi vista.

Una foto que en verdad me sorprendió poder hacerla, ya que con la mariposa activa es casi imposible, por lo que fue fruto de la "casualidad" ya que acertar por destreza en estos casos no es lo mío. El equipo usado es debido a que estuve tomando fotos de orquídeas (que no se mueven) y volvía al coche con la lente puesta en la cámara cuando se me presentó la ocasión junto al camino, varias tomas salieron bonitas para sorpresa mía. Esta es una de ellas.

 

Pentacon Av 80mm 2.8 (lente proyector) mas tubo de extensión de 30mm. A pulso, semitumbao y con la mochila a cuestas.

 

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El que anda en chismes descubre el secreto;

Mas el de espíritu fiel lo guarda todo.

Mayfield Park, Austin, TX. Sony A7II and Tamron 28-75/2.8.

Canon EF 24-70mm 1:2.8 L USM

SMC PENTAX-A MACRO 2,8/50

Hollyhocks

[Hanimex Automatic MC 135mm / 2.8]

Dimension 1:2.8 35mm on Canon EOS 5D Mark II Panorama (5 images) - 1 (of 14) - Canon EOS 5D Mark II with Legacy Dimension 1:2.8 35mm Prime (M42 mount) & Fotodiox M42-EOS Adapter & Polarizer - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.

Beautiful town situated at the adriatic coast in Croatia.

Zeiss Loxia 21mm 2.8 on Sony A7rII

༶•┈┈┈┈┈┈୨♡୧┈┈┈┈┈┈•༶

 

"Et tout se fige et se cristallise. Et le temps s’étire en quintessence dans cette perte de sens. Du froid naît le givre qui de beauté scintille ❄️ Dans ce cycle infini qu’est la vie, l’éphémère revêt ainsi son plus bel habit de lumière" 🍁✨

- Cit. Muriel M. Photography -

  

♪ ♫ "Frozen" - Madonna (piano cover) : youtu.be/5-dJGQMsBsc?feature=shared ♪ ♫

 

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Nikon D5200 + Micro-Nikkor 60 mm f/2.8

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© Tous droits réservés / All rights reserved

 

Don't copy and use this image on websites, blogs or other media and social media.

 

All my images are protected under international authors copyright laws and may not be shared, downloaded, reproduced, copied, or edited -in any way- without my written explicit permission.

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Dans la coulée verte à Châtillon, le 20 Septembre 2015

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Boîtier : CANON EOS 60D

Objectif : TAMRON SP 90mm f/2.8 Di VC USD MACRO 1:1

Flash : Yongnuo YN-560 III déporté.

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tulip

Leica SL2/Apo-Macro-Elmarit-R 100/2.8

Pentacon_auto_2.8_100mm with a Fotodiox Nikon F convertor

Auto processed in Adobe Camera Raw

120 mm equiv. (short-tele)

to the light

Leica SL/Apo-Macro-Elmarit-R 100/2.8

chrysanthemum

Leica SL2/Apo-Macro-Elmarit-R 100/2.8

A veces les dejo esos reflejos tan "molestos" para que decoren. Ya tengo pensado hacerle un parasol de un tubo de plástico, o quizás no!

Pentacon AV 80mm 2.8.

A este objetivo le gusta la luz y contraluz, pero cuando le da directo en la lente pues eso .... que te lo hace ver!

..................

No te niegues a hacer el bien a quien es debido,

Cuando tuvieres poder para hacerlo.

sun

Leica SL2/Apo-Macro-Elmarit-R 100/2.8

crocus

Leica SL/Apo-Macro-Elmarit-R 100/2.8

K-36 steam engine 480 switches into position to lead the daily train from Durango to SIlverton, Colorado on the narrow gauge rails for which the route is named for.

Één van de fraaiere fotopunten op de lijn Leeuwarden - Stavoren vind ik deze vanaf de Noardermar ter hoogte van Warns. Het groene landschap, de boerderij tussen de bomen, de enkelsporige diesellijn en nog wat blauw van het spoorslootje, maken dit tot een prachtig Fries tafereel. Als je dan ook nog een mooie opkomende wolkenpartij in de blauwe lucht hebt en paarse bloemen in de spoorberm, is het decor wat mij betreft helemaal in orde voor een typerende Hollandse foto. Het wachten was nu nog op de GTW van Arriva. Het werd nog spannend ook, want een dikke grijze wolk naderde met rasse schreden de plaats waar de zon zijn lichtstralen naar Warns uitstraalde. Het zou toch niet..... Een volgende trein afwachten zou ook geen nut hebben, want met de uursdienstregeling die Arriva tussen Leeuwarden en Stavoren rijdt, zou een uur later de linker boom naast de boerderij te veel schaduw op de voorgevel van dit pand gaan werpen.... Gelukkig reed Arriva keurig op tijd en kon deze fraaie opname nog gemaakt worden, voordat de wolk zijn schaduw over Warns zou werpen.

 

Arriva's GTW 2/8 10321 rijdt op 26 juli 2020 ter hoogte van Warns als Stoptrein 37140 vanuit Stavoren naar Leeuwarden.

مثل // الجلكسي// ضحكتك بأول الليل

أسمع الضحكه همي يولي

أما السوالف كنهـا / دلة الهيل /

يازين حظي أتقهوى وأحلي

 

©All rights reserved to;` Fтσ'Oмy *!♥,.

 

Sigma DP3 Merrill : Sigma 50mm f/2.8 Macro

Exif:

Canon EOS 60D

Canon EF100mm f/2.8 Macro IS USM

Shutter speed 1/320, Aperture 2.8

ISO 400, Aperture priority, No flash

  

Photo taken at the PALACE PARK of the palace Het Loo

 

The Palace Park is open to visitors throughout the year from 9 am in the morning to half an hour after sunset, but no later than 6 pm.

The Palace Park is part of the Crown Lands of Het Loo together with the extensive stretches of forest and heath land belonging to the Crown Estate. The total area covers more than 10,000 hectares and has a rich cultural history, great biological diversity and beautiful landscapes.

More information: www.kroondomeinhetloo.nl.

 

Het Loo Palace

Het Loo Palace (Dutch: Paleis Het Loo, IPA: [pɑlˈɛi̯s ˌɦɛt ˈloʊ̯], meaning "The Woods Palace") is a palace in Apeldoorn, Netherlands. The symmetrical Dutch Baroque building was designed by Jacob Roman and Johan van Swieten and was built between 1684 and 1686 for stadtholder-king William III and Mary II of England. The garden was designed by Claude Desgotz.

The palace was a residence of the House of Orange-Nassau from the 17th century until the death of Queen Wilhelmina in 1962. The building was renovated between 1976 and 1982. Since 1984, the palace is a state museum open for the general public, showing interiors with original furniture, objects and paintings of the House of Orange-Nassau.

The building is a rijksmonument and is among the Top 100 Dutch heritage sites.

Source en.wikipedia.org/wiki/Het_Loo_Palace

Un Pterophorus sp. esperando a que caliente el sol para desaherce del pesado del fotografo. En un campo de hierbas verdes de cola de caballo y otras plantas encharcadas abajo por el agua.

Tubo de proyector 80mm, 2.8 fijo.

Saludos y buen verano.

Un saludo.

PentaconSix CarlZeissJena Sonnar 180mmf/2.8

EF100mm f/2.8 L IS USM

Stack de 10 images capturées avec Helicon Remote et assemblées avec Helicon Focus

 

#FlickrFriday

#pieces

Contax G1, 28/2.8, Fuji Superia 200

Canyon Devil's Gate (Khosta)

 

Camera: Olympus OM-1n

Lens: Zuiko Auto-W 28mm f/ 2.8;

Film: KODAK_VISION2_500T/5218;

Filter: No filter;

Exposure: as ISO 320

Scanned by Minolta Dimage ScanElite 5400 by VueScan

 

Canyon Devil's Gate (Khosta).

Russia, Krasnodar region, the city of Sochi.

The canyon is located near the town of Khosta, about 24 kilometers from the center of Sochi and 14 kilometers from Adler.

This is a rare natural site on the border of the Caucasus Natural Biosphere Reserve and the Sochi National Park.

The length of the canyon is Devil's Gate about 800 (eight hundred) meters, the height of the steep walls is more than 50 (fifty) meters, the width at the narrowest point is 3 (three) meters, and the maximum depth is 4.5 (four and a half) meters in the summer months.

At the confluence of the Vostochnaya (Big) Khosta River and the Zapadnaya (Small) Khosta River there is a small lake that is buried in the shadow of the Colchian forest. Green ferns, mosses and relic boxwood cover the shores of the reservoir. These plants came to us from the far preglacial period and remember the ancient dinosaurs. Shadow and coolness, the murmur of river water and the unique nature make the place popular for visiting. The walls of the canyon are narrowed, the bowl of the lake is closed by a narrow gorge of the gorge along which the water of the Bolshaya Khosta river flows.

aquilegia

Leica SL/Apo-Macro-Elmarit-R 100/2.8

Canon Digital Rebel 300D / EF-S 24/2.8 STM

 

I took this photo with the first digital SLR I ever purchased, way back in 2005. Most cameras I've had over the years I've sold off, but this one I held onto. And though the body shows clear signs of wear, the important bits still work. I take it off the shelf and shoot some frames with it whenever I'm feeling nostalgic.

 

But last night I wanted to put this old camera through some more serious paces -- what would it be like to shoot it the same way I've been shooting my behemoth GFX and cutting-edge Nikon Z? I put a 24mm pancake lens on the thing and placed it on a tripod and walked around some northern bits of Santa Clara.

 

And here's the results. There's all the things you'd expect: fewer megapixels, less sharpness, more grain, less information in the shadows and highlights. But the overall photo? From the thumbnail alone, I don't know if I'd be able to tell the difference.

 

The biggest difference by far was the experience of actually shooting the photos -- that's when I was really feeling the two decades of technology. Composing, focusing, exposing are all so much more difficult with the Digital Rebel than with new cameras. The meter is easily overwhelmed by bright light sources, focus is a guessing game, reviewing images practically pointless on the tiny little screen that doesn't even show you the actual RAW file anyway, and composing harkening back to the old film days where "what you see is only sort of what you get".

 

I don't think any of this is a profound revelation -- it all seems kind of obvious in retrospect. But it was fun to do anyway, and as I edit through the shots I'll post them up here to share them with you. This one might've been my favorite from the night.

30MM Sigma 2.8 avec bagues allonge .

... whooshing past beneath a very strange morning cloud that probably nobody in the bus has noticed.

 

Canon EOS6D with Canon EF 28mm 1:2.8 IS USM

Decided at the 11th hour yesterday after looking at favorable weather reports to go check out a spot I've been meaning to revisit for some time, the famous Nubble Light in York Beach, Maine. You can't tell from this, but there had to have been a hundred other people here, most of whom were stepping into my frame all night.

 

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Opel Senator 2.8 at the Oldtimermarkt Bockhorn.

TVRM's Southern Railway 2-8-0 #630 and NS GP40-2 #3033 lead a Norfolk Southern '21st Century Steam' excursion south on the AGS North District.

Photo information:

ISO: 400

Film type: 120

Film name: Rollei Retro 400S

Developer: Adox Rodinal

Process: 20°C.

Developer dilution: 1+50

Developing time: 21'

Agitation: in 10 sec every 1 min.

Camera: Zenza Bronica S2A

Lens: Nikkor-H C 1:2.8 f=75mm

Filter(s) used: no

Aperture: 8

Exposure time: 1/30

Focal length: 75

Scanner manufacturer: Epson Perfection V550 Photo.

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