Branch Line
2023
My "Once Removed" series (a sequel to my earlier series “Ain't I a Woman”) explores the stories of women who were only generations removed from the bonds of slavery, when millions of African-American former slaves fled the South in search of a better life for themselves and their descendants. With their first taste of freedom, they headed north and west in a “Great Migration” that changed the face of America forever. Those who critique attempts at teaching history's truth have suggested that white children might experience shame when confronted with lessons on systemic racism. But for me, shame comes from not knowing the truth and in having to unlearn a history that has taught less than the whole story. To teach a more complete history is to bring back the voices of those who have been intentionally silenced. The time is now to lift every voice.
Using 100 year old historical portraits which often feel strikingly modern, along with period documents, textures from my drawing and paintings, layered with pages from a 1919 antique book, "The Trees of Pennsylvania," I hope to create images that give voice to stories too long silent and restore dignity to women striving to escape their chains, both literal and figurative. I am creating select pieces from this series as mixed media collage works finished in cold wax to further explore the layering of time and memory as these women went on to create wide-growing family trees, putting down roots in fertile new lands.
Branch Line
2023
My "Once Removed" series (a sequel to my earlier series “Ain't I a Woman”) explores the stories of women who were only generations removed from the bonds of slavery, when millions of African-American former slaves fled the South in search of a better life for themselves and their descendants. With their first taste of freedom, they headed north and west in a “Great Migration” that changed the face of America forever. Those who critique attempts at teaching history's truth have suggested that white children might experience shame when confronted with lessons on systemic racism. But for me, shame comes from not knowing the truth and in having to unlearn a history that has taught less than the whole story. To teach a more complete history is to bring back the voices of those who have been intentionally silenced. The time is now to lift every voice.
Using 100 year old historical portraits which often feel strikingly modern, along with period documents, textures from my drawing and paintings, layered with pages from a 1919 antique book, "The Trees of Pennsylvania," I hope to create images that give voice to stories too long silent and restore dignity to women striving to escape their chains, both literal and figurative. I am creating select pieces from this series as mixed media collage works finished in cold wax to further explore the layering of time and memory as these women went on to create wide-growing family trees, putting down roots in fertile new lands.