Giorgio de Chirico - The Red Tower [1913]
Giorgio de Chirico’s enigmatic works of 1911 to 1917 provided a crucial inspiration for the Surrealist painters. The dreamlike atmosphere of his compositions results from irrational perspective, the lack of a unified light source, the elongation of shadows, and a hallucinatory focus on objects. Italian piazzas bounded by arcades or classical façades are transformed into ominously silent and vacant settings for invisible dramas. The absence of event provokes a nostalgic or melancholy mood as if one senses the wake of a momentous incident; if one feels the imminence of an act, a feeling of anxiety ensues.
[Solomon R. Guggenheim Museum, New York - Oil on canvas, 73.5 x 100.5 cm]
Giorgio de Chirico - The Red Tower [1913]
Giorgio de Chirico’s enigmatic works of 1911 to 1917 provided a crucial inspiration for the Surrealist painters. The dreamlike atmosphere of his compositions results from irrational perspective, the lack of a unified light source, the elongation of shadows, and a hallucinatory focus on objects. Italian piazzas bounded by arcades or classical façades are transformed into ominously silent and vacant settings for invisible dramas. The absence of event provokes a nostalgic or melancholy mood as if one senses the wake of a momentous incident; if one feels the imminence of an act, a feeling of anxiety ensues.
[Solomon R. Guggenheim Museum, New York - Oil on canvas, 73.5 x 100.5 cm]