Trees etc. / Fullspectrum Experiment
Trees etc. / Fullspectrum Experiment:
I know, I should not post so many pictures at one time, this reduces the chance anyone looks at anything but the first. But ... well, I can't help it.
I carried the fullspectrum camera with me today, and stacked 3 filters on top of the Minolta 50-135/3.5 lens: A UV-IR Cut, a warming filter and an UltraContrast 0.5. This way I got RAWs with almost no blue, a lot of warm tones and muted greens. I did some digital post processing, but the basic „color grading“ was done while I took the photos, thus analog.
Possibly this is dumb artsy talk, but I find many of these have a certain „presence" that is hard to explain. The lens was used wide open, mostly.
Along this track that I walk so often right now there's little more than trees and what you see here, so I need to make something out of that. I think this little series showed me again, there is potential and birch trees are always the photographers best friends.
Trees etc. / Fullspectrum Experiment
Trees etc. / Fullspectrum Experiment:
I know, I should not post so many pictures at one time, this reduces the chance anyone looks at anything but the first. But ... well, I can't help it.
I carried the fullspectrum camera with me today, and stacked 3 filters on top of the Minolta 50-135/3.5 lens: A UV-IR Cut, a warming filter and an UltraContrast 0.5. This way I got RAWs with almost no blue, a lot of warm tones and muted greens. I did some digital post processing, but the basic „color grading“ was done while I took the photos, thus analog.
Possibly this is dumb artsy talk, but I find many of these have a certain „presence" that is hard to explain. The lens was used wide open, mostly.
Along this track that I walk so often right now there's little more than trees and what you see here, so I need to make something out of that. I think this little series showed me again, there is potential and birch trees are always the photographers best friends.