20121027-DSC_3797NX2_
Carefully cropped the shutter shadow from the upper right hand corner; I used the reflection in the foreground to draw attention as the focus rather than the bridge. I am hoping to form a layered channel from the lower right to the upper left, culminating in the gap straight ahead. This is a pattern of accelerating triangulations multiplying and moving in the river's flow, carrying the power of the reflections of the light shining at first light emerging over the mountain ridges. Indeed the triangulations include the cantilevered triangular subunits in the bridge's siuperstructure.
It is a scene where we are part of great things that eyes cannot see and ears cannot hear. Because Martin and I have agreed to shoot by the leading of the Holy Spirit, these triangular structures resonate as the triangulation with Heaven itself. There is great power being released, and we are in this spot the Spirit has led us to, awaiting the power of the sunrise about to manifest in the deep canyon. Supernatural fire is about to manifest, and we are about to see it.
There is a triangular rock protruding above the water line directly above the reflection of the mountain first light. The mountain's reflection then connects with the bridge's shadow withits ripples. The ripples transitions to the mid-ground expanding left and right. The rocks on both left and right shores parallel through the gray border at water level. The gap area of the river directly below the bridge gains unexpected depth through other compositional cues. The branch on the lower left points to the gap and has the green coloration that connects with the foliage behind the bridge. The yellow leaves on the tree under the bridge on the right shore has a curved bow reflection which encompasses the solidity of the rock face, as if the rocks were a giant forearm about to shoot an arrow right into the gap, linking with the yellow foliage straight ahead in the channel before the next curve in the background
The triangular rock in the foreground and the the triangular rock near the near shore are small elements than point to the yellow "bow."
The is no beach-like sand visible in the image other than the camera's position. That is because the wide-angle perspective minimizes their detail. There is a sandy area on the far side of the bridge but it is not evident. The establishes the primacy of the camera's position; the apex, as it were.
There is also a little plant extending from the lower left, contrasting strongly with the dark water and pointing into the gap. Thus the various details in the composition all support the flow into the gap...a peaceful scene that will eventually become roaring rapids.
The implication is that we are being commissioned to carry this heavenly download back to Bakersfield and multiply its blessings and remove curses. The is a pivotal time in our lives and in the lives of those we are sent to serve....we have become the favored vessel of Father God....an awesome anointing and assignment!
20121027-DSC_3797NX2_
Carefully cropped the shutter shadow from the upper right hand corner; I used the reflection in the foreground to draw attention as the focus rather than the bridge. I am hoping to form a layered channel from the lower right to the upper left, culminating in the gap straight ahead. This is a pattern of accelerating triangulations multiplying and moving in the river's flow, carrying the power of the reflections of the light shining at first light emerging over the mountain ridges. Indeed the triangulations include the cantilevered triangular subunits in the bridge's siuperstructure.
It is a scene where we are part of great things that eyes cannot see and ears cannot hear. Because Martin and I have agreed to shoot by the leading of the Holy Spirit, these triangular structures resonate as the triangulation with Heaven itself. There is great power being released, and we are in this spot the Spirit has led us to, awaiting the power of the sunrise about to manifest in the deep canyon. Supernatural fire is about to manifest, and we are about to see it.
There is a triangular rock protruding above the water line directly above the reflection of the mountain first light. The mountain's reflection then connects with the bridge's shadow withits ripples. The ripples transitions to the mid-ground expanding left and right. The rocks on both left and right shores parallel through the gray border at water level. The gap area of the river directly below the bridge gains unexpected depth through other compositional cues. The branch on the lower left points to the gap and has the green coloration that connects with the foliage behind the bridge. The yellow leaves on the tree under the bridge on the right shore has a curved bow reflection which encompasses the solidity of the rock face, as if the rocks were a giant forearm about to shoot an arrow right into the gap, linking with the yellow foliage straight ahead in the channel before the next curve in the background
The triangular rock in the foreground and the the triangular rock near the near shore are small elements than point to the yellow "bow."
The is no beach-like sand visible in the image other than the camera's position. That is because the wide-angle perspective minimizes their detail. There is a sandy area on the far side of the bridge but it is not evident. The establishes the primacy of the camera's position; the apex, as it were.
There is also a little plant extending from the lower left, contrasting strongly with the dark water and pointing into the gap. Thus the various details in the composition all support the flow into the gap...a peaceful scene that will eventually become roaring rapids.
The implication is that we are being commissioned to carry this heavenly download back to Bakersfield and multiply its blessings and remove curses. The is a pivotal time in our lives and in the lives of those we are sent to serve....we have become the favored vessel of Father God....an awesome anointing and assignment!