The Ithaca War Memorial // Alexander Jolly Park (Paddington, Queensland)
The Ithaca War Memorial and Park was created 1922 by a committee on behalf of Ithaca citizens. The monument was designed and executed by Brisbane monumental masonry firm A H Thurlow, under the supervision of R Black, the Ithaca town engineer. The stone memorial honours the 130 local men who died on active service during the First World War. The park was laid out by Ithaca Town Council landscape gardener, Alexander Jolly.
The park is situated on a parcel of land sandwiched between Enoggera and Latrobe Terraces on Cooks Hill. It was, and remains crown land designated for road purposes, but by 1922 the cutting along Latrobe Terrace negated future road use. The road survives only in the asphalted walkway beside the park, linking Enoggera and Latrobe Terraces.
In the first decade of the 20th century, Ithaca experienced a housing and population boom largely attributable to the expansion of the tramways through the area. Subsequently, in the 1910s the Ithaca Town Council embarked on a programme of civic improvements which included the formation and metalling of roads; tree planting; and the establishment of numerous embankment gardens, small reserves and street gardens.
Because of the hilly terrain, many of the new streets were divided, leaving embankments which the Ithaca Town Council considered were cheaper to plant and beautify than to cut down. This innovation in Brisbane civic landscaping led to the Council receiving numerous requests from other councils, interstate as well as Queensland, for photographs and plans of Ithaca street improvements. The War Memorial Park is one of the few areas from this period to have survived. Only small sections of the Waterworks Road rockeries remain, and most of the Cook's Hill garden was destroyed when the Paddington Tramways Substation was erected in 1929-30.
The Ithaca War Memorial was unveiled on 25 February 1922 by Sir Matthew Nathan, Governor of Queensland. The final cost totaling 650 was raised by the local community with fund raising beginning by September 1920.
Australia, and Queensland in particular, had few civic monuments before the First World War. The memorials erected in its wake became our first national monuments, recording the devastating impact of the war on a young nation. Australia lost 60 000 from a population of about 4 million, representing one in five of those who served. No previous or subsequent war has made such an impact on the nation.
Even before the end of the war, memorials became a spontaneous and highly visible expression of national grief. To those who erected them, they were as sacred as grave sites, substitute graves for the Australians whose bodies lay in battlefield cemeteries in Europe and the Middle East. British policy decreed that the Empire war dead were to be buried where they fell. The word 'cenotaph', commonly applied to war memorials at the time, literally means 'empty tomb'.
Australian war memorials are distinctive in that they commemorate not only the dead. Australians were proud that their first great national army, unlike other belligerent armies, was composed entirely of volunteers, men worthy of honour whether or not they paid the supreme sacrifice. Many memorials honour all who served from a locality, not just the dead, providing valuable evidence of community involvement in the war. Such evidence is not readily obtainable from military records, or from state or national listings, where names are categorised alphabetically or by military unit.
Australian war memorials are also valuable evidence of imperial and national loyalties, at the time, not seen as conflicting; the skills of local stonemasons, metalworkers and architects; and of popular taste. In Queensland, the soldier statue was the popular choice of memorial, whereas the obelisk predominated in the southern states, possibly a reflection of Queensland's larger working-class population and a lesser involvement of architects.
Many of the First World War monuments have been updated to record local involvement in later conflicts, and some have fallen victim to unsympathetic re-location and repair.
There were many different types of war memorials erected in Queensland, however, clock towers were comparatively rare. The memorial at Ithaca is the earliest of this type of memorial, and is the only one of its type in Brisbane. The clock was manufactured by the well-known Synchronome Electric Company of Brisbane, initially driven by a master clock in the adjacent fire station.
At the time of unveiling the hill top on which the memorial is located was bare, permitting the memorial to be a dominant landmark. Now that trees have become established, the landmark qualities of the memorial itself have diminished somewhat. However, the setting and location still forms a landmark within the streetscape.
The landscaping of the park was carried out by Alexander Jolly, Ithaca Town Council landscape gardener (and father of the first Mayor of Greater Brisbane, William Jolly). Son of a Scottish farmer, and a horticultural enthusiast, Jolly had arrived in Brisbane in 1879, aged 22 years. He was head gardener on Alexander Stewart's Glen Lyon estate at Ashgrove for at least seven years before he went to work for the Ithaca Town Council.
Jolly was a self-educated man, whose lifetime of gardening experience transformed the Ithaca townscape in the period 1915-25. Other landscaping works by Jolly included the rockeries along Musgrave and Waterworks Roads and the landscaping of Cook's Hill. After his death in 1925, the memorial park was renamed the Alexander Jolly Park, "in memory of one of the most esteemed men in the district", and as a "unique tribute . . . to the pick and shovel".
The Alexander Jolly Park, now known as Ithaca Memorial Park, has been maintained by the Brisbane City Council since 1925.
Source: Queensland Heritage Register.
The Ithaca War Memorial // Alexander Jolly Park (Paddington, Queensland)
The Ithaca War Memorial and Park was created 1922 by a committee on behalf of Ithaca citizens. The monument was designed and executed by Brisbane monumental masonry firm A H Thurlow, under the supervision of R Black, the Ithaca town engineer. The stone memorial honours the 130 local men who died on active service during the First World War. The park was laid out by Ithaca Town Council landscape gardener, Alexander Jolly.
The park is situated on a parcel of land sandwiched between Enoggera and Latrobe Terraces on Cooks Hill. It was, and remains crown land designated for road purposes, but by 1922 the cutting along Latrobe Terrace negated future road use. The road survives only in the asphalted walkway beside the park, linking Enoggera and Latrobe Terraces.
In the first decade of the 20th century, Ithaca experienced a housing and population boom largely attributable to the expansion of the tramways through the area. Subsequently, in the 1910s the Ithaca Town Council embarked on a programme of civic improvements which included the formation and metalling of roads; tree planting; and the establishment of numerous embankment gardens, small reserves and street gardens.
Because of the hilly terrain, many of the new streets were divided, leaving embankments which the Ithaca Town Council considered were cheaper to plant and beautify than to cut down. This innovation in Brisbane civic landscaping led to the Council receiving numerous requests from other councils, interstate as well as Queensland, for photographs and plans of Ithaca street improvements. The War Memorial Park is one of the few areas from this period to have survived. Only small sections of the Waterworks Road rockeries remain, and most of the Cook's Hill garden was destroyed when the Paddington Tramways Substation was erected in 1929-30.
The Ithaca War Memorial was unveiled on 25 February 1922 by Sir Matthew Nathan, Governor of Queensland. The final cost totaling 650 was raised by the local community with fund raising beginning by September 1920.
Australia, and Queensland in particular, had few civic monuments before the First World War. The memorials erected in its wake became our first national monuments, recording the devastating impact of the war on a young nation. Australia lost 60 000 from a population of about 4 million, representing one in five of those who served. No previous or subsequent war has made such an impact on the nation.
Even before the end of the war, memorials became a spontaneous and highly visible expression of national grief. To those who erected them, they were as sacred as grave sites, substitute graves for the Australians whose bodies lay in battlefield cemeteries in Europe and the Middle East. British policy decreed that the Empire war dead were to be buried where they fell. The word 'cenotaph', commonly applied to war memorials at the time, literally means 'empty tomb'.
Australian war memorials are distinctive in that they commemorate not only the dead. Australians were proud that their first great national army, unlike other belligerent armies, was composed entirely of volunteers, men worthy of honour whether or not they paid the supreme sacrifice. Many memorials honour all who served from a locality, not just the dead, providing valuable evidence of community involvement in the war. Such evidence is not readily obtainable from military records, or from state or national listings, where names are categorised alphabetically or by military unit.
Australian war memorials are also valuable evidence of imperial and national loyalties, at the time, not seen as conflicting; the skills of local stonemasons, metalworkers and architects; and of popular taste. In Queensland, the soldier statue was the popular choice of memorial, whereas the obelisk predominated in the southern states, possibly a reflection of Queensland's larger working-class population and a lesser involvement of architects.
Many of the First World War monuments have been updated to record local involvement in later conflicts, and some have fallen victim to unsympathetic re-location and repair.
There were many different types of war memorials erected in Queensland, however, clock towers were comparatively rare. The memorial at Ithaca is the earliest of this type of memorial, and is the only one of its type in Brisbane. The clock was manufactured by the well-known Synchronome Electric Company of Brisbane, initially driven by a master clock in the adjacent fire station.
At the time of unveiling the hill top on which the memorial is located was bare, permitting the memorial to be a dominant landmark. Now that trees have become established, the landmark qualities of the memorial itself have diminished somewhat. However, the setting and location still forms a landmark within the streetscape.
The landscaping of the park was carried out by Alexander Jolly, Ithaca Town Council landscape gardener (and father of the first Mayor of Greater Brisbane, William Jolly). Son of a Scottish farmer, and a horticultural enthusiast, Jolly had arrived in Brisbane in 1879, aged 22 years. He was head gardener on Alexander Stewart's Glen Lyon estate at Ashgrove for at least seven years before he went to work for the Ithaca Town Council.
Jolly was a self-educated man, whose lifetime of gardening experience transformed the Ithaca townscape in the period 1915-25. Other landscaping works by Jolly included the rockeries along Musgrave and Waterworks Roads and the landscaping of Cook's Hill. After his death in 1925, the memorial park was renamed the Alexander Jolly Park, "in memory of one of the most esteemed men in the district", and as a "unique tribute . . . to the pick and shovel".
The Alexander Jolly Park, now known as Ithaca Memorial Park, has been maintained by the Brisbane City Council since 1925.
Source: Queensland Heritage Register.