Bert Stephani
20081121_canon-eos-discovery_005.jpg
Anderlecht, BELGIUM
The guys from Canon asked me if I could do some workshops at the Canon Eos Discovery Days. It was a bit weird for me to do this in front of such a huge and diverse audience in a really short time but it was big fun and I met tons of great people.
For those who couldn't be there or didn't understand my very special interpretation of the French language, I decided to try to replicate my workshop on my blog. 3 new posts are coming up.
LIGHTING INFO
I guess most people know me from my off-camera flash stuff, but I wanted to share some tricks for down-and-dirty work with the flash ON the camera. Because sometimes that's the only possible solution. You probably won't make masterpieces but you may just as well to try to squeeze the most out of it.
I tried showing some techniques by a series of 3 photographs. This is the first one with the camera in P-mode and letting all those clever Japanese inside do the work.
These engineers make sure that there's enough light on Erika but I don't share their idea of esthetics. It's just an unflattering flat picture. Check out the photoset to see how I tried to make it better.
Check out my blog:
20081121_canon-eos-discovery_005.jpg
Anderlecht, BELGIUM
The guys from Canon asked me if I could do some workshops at the Canon Eos Discovery Days. It was a bit weird for me to do this in front of such a huge and diverse audience in a really short time but it was big fun and I met tons of great people.
For those who couldn't be there or didn't understand my very special interpretation of the French language, I decided to try to replicate my workshop on my blog. 3 new posts are coming up.
LIGHTING INFO
I guess most people know me from my off-camera flash stuff, but I wanted to share some tricks for down-and-dirty work with the flash ON the camera. Because sometimes that's the only possible solution. You probably won't make masterpieces but you may just as well to try to squeeze the most out of it.
I tried showing some techniques by a series of 3 photographs. This is the first one with the camera in P-mode and letting all those clever Japanese inside do the work.
These engineers make sure that there's enough light on Erika but I don't share their idea of esthetics. It's just an unflattering flat picture. Check out the photoset to see how I tried to make it better.
Check out my blog: