iPointillist Effect at iSunset from an iPhone Camera
I have always delighted in Pointillism as exemplified by Georges Seurat.
From Wikipedia, the free encyclopedia:
Pointillism is a style of painting in which small distinct dots of color create the impression of a wide selection of other colors and blending. Aside from color "mixing" phenomena, there is the simpler graphic phenomenon of depicted imagery emerging from disparate points. Historically, Pointillism has been a figurative mode of executing a painting, as opposed to an abstract modality of expression.
The technique relies on the perceptive ability of the eye and mind of the viewer to mix the color spots into a fuller range of tones and is related closely to Divisionism, a more technical variant of the method. It is a style with few serious practitioners and is notably seen in the works of Seurat, Signac and Cross. The term Pointillism was first coined by art critics in the late 1880s to ridicule the works of these artists and is now used without its earlier mocking connotation.
The practice of Pointillism is in sharp contrast to the more common methods of blending pigments on a palette or using the many commercially available premixed colors. Pointillism is analogous to the four-color CMYK printing process used by some color printers and large presses, Cyan (blue), Magenta (red), Yellow and Black (called "CMYK"). Televisions and computer monitors use a pointillist technique to represent images but with Red, Green, and Blue (RGB) colors.
If red, blue and green light (the additive primaries) are mixed, the result is something close to white light. The brighter effect of pointillist colours could rise from the fact that subtractive mixing is avoided and something closer to the effect of additive mixing is obtained even through pigments.
The painting technique used to perform pointillistic color mixing is at the expense of traditional brushwork which could be used to delineate texture.
Georges Seurat - La Parade (1889) - detail showing pointillism technique.
Instead of painting outlines and shapes with brush strokes and areas of colour, pointillism builds up the image from separate coloured dots of paint. From a distance, the dots merge and appear to be areas of shaded tones, but the colours have an extra vibrancy from the juxtaposition of contrasting dots.
Due to the limitations of printing and video displays, the true effect can only really be seen looking at an original painting.
Source: www.artchive.com/artchive/S/seurat/paradetl.jpg.html
and
commons.wikimedia.org/wiki/File:Seurat-La_Parade_detail.jpg
Img_0299_2.Jpg
iPointillist Effect at iSunset from an iPhone Camera
I have always delighted in Pointillism as exemplified by Georges Seurat.
From Wikipedia, the free encyclopedia:
Pointillism is a style of painting in which small distinct dots of color create the impression of a wide selection of other colors and blending. Aside from color "mixing" phenomena, there is the simpler graphic phenomenon of depicted imagery emerging from disparate points. Historically, Pointillism has been a figurative mode of executing a painting, as opposed to an abstract modality of expression.
The technique relies on the perceptive ability of the eye and mind of the viewer to mix the color spots into a fuller range of tones and is related closely to Divisionism, a more technical variant of the method. It is a style with few serious practitioners and is notably seen in the works of Seurat, Signac and Cross. The term Pointillism was first coined by art critics in the late 1880s to ridicule the works of these artists and is now used without its earlier mocking connotation.
The practice of Pointillism is in sharp contrast to the more common methods of blending pigments on a palette or using the many commercially available premixed colors. Pointillism is analogous to the four-color CMYK printing process used by some color printers and large presses, Cyan (blue), Magenta (red), Yellow and Black (called "CMYK"). Televisions and computer monitors use a pointillist technique to represent images but with Red, Green, and Blue (RGB) colors.
If red, blue and green light (the additive primaries) are mixed, the result is something close to white light. The brighter effect of pointillist colours could rise from the fact that subtractive mixing is avoided and something closer to the effect of additive mixing is obtained even through pigments.
The painting technique used to perform pointillistic color mixing is at the expense of traditional brushwork which could be used to delineate texture.
Georges Seurat - La Parade (1889) - detail showing pointillism technique.
Instead of painting outlines and shapes with brush strokes and areas of colour, pointillism builds up the image from separate coloured dots of paint. From a distance, the dots merge and appear to be areas of shaded tones, but the colours have an extra vibrancy from the juxtaposition of contrasting dots.
Due to the limitations of printing and video displays, the true effect can only really be seen looking at an original painting.
Source: www.artchive.com/artchive/S/seurat/paradetl.jpg.html
and
commons.wikimedia.org/wiki/File:Seurat-La_Parade_detail.jpg
Img_0299_2.Jpg