17 April, The Entrance I - David Hockney
On display at the Musée des Beaux-Arts in Rouen.
There was an exhibition of some of the work David Hockney undertook while spending the COVID-19 period in Normandy.In the late 1970s, David Hockney realized that the use of perspective gave the world an illusory representation. His discovery of Chinese painting, which refuted the single vanishing point and the immobility of the viewer, consolidated his position. This recent panorama testifies to this. "If we are alive, we are in motion!" the artist asserts.
17 April, The Entrance I - David Hockney
On display at the Musée des Beaux-Arts in Rouen.
There was an exhibition of some of the work David Hockney undertook while spending the COVID-19 period in Normandy.In the late 1970s, David Hockney realized that the use of perspective gave the world an illusory representation. His discovery of Chinese painting, which refuted the single vanishing point and the immobility of the viewer, consolidated his position. This recent panorama testifies to this. "If we are alive, we are in motion!" the artist asserts.