Enquadrant com el pare / My father's composition
IN ENGLISH BELOW THE LINE
Foto presa amb una Folmer & Schwing Graflex Auto 5x7, made c.1911-1915; objectiu Kodak Projection Anastigmat f6.3; Fomapan 200.
Aquesta càmera funcionava però amb certes dificultats. La vaig enviar a netejar i ajustar (CLA) a Graflex Parts, de Duluth, Minnesota (USA), i ara va perfecte.
Vista de l'església de Santa Maria de Merlès al fons de la seva recta arbrada amb plataners. El meu pare va pintar aquesta escena fa molt de temps, i també en va fer litografies, que tenim a casa.
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Picture taken with a Folmer & Schwing Graflex Auto 5x7, made c. 1911-1915; Kodak Projection Anastigmat f6.3 lens; Fomapan 200 in 5x7 sheet.
This camera worked but had some issues (mainly the shutter stuck quite a bit in the release), so I sent it for a CLA to Graflex Parts in Duluth, Minnesota (USA), and now it works beautifully.
This is the church of Santa Maria de Merlès in the background. My late father painted this very scene long ago as an oil painting, and also made a lithography, of which we had one at home.
Enquadrant com el pare / My father's composition
IN ENGLISH BELOW THE LINE
Foto presa amb una Folmer & Schwing Graflex Auto 5x7, made c.1911-1915; objectiu Kodak Projection Anastigmat f6.3; Fomapan 200.
Aquesta càmera funcionava però amb certes dificultats. La vaig enviar a netejar i ajustar (CLA) a Graflex Parts, de Duluth, Minnesota (USA), i ara va perfecte.
Vista de l'església de Santa Maria de Merlès al fons de la seva recta arbrada amb plataners. El meu pare va pintar aquesta escena fa molt de temps, i també en va fer litografies, que tenim a casa.
=======================
Picture taken with a Folmer & Schwing Graflex Auto 5x7, made c. 1911-1915; Kodak Projection Anastigmat f6.3 lens; Fomapan 200 in 5x7 sheet.
This camera worked but had some issues (mainly the shutter stuck quite a bit in the release), so I sent it for a CLA to Graflex Parts in Duluth, Minnesota (USA), and now it works beautifully.
This is the church of Santa Maria de Merlès in the background. My late father painted this very scene long ago as an oil painting, and also made a lithography, of which we had one at home.